CAN: three letters, C, a house-shaped A and N, made from weathered salvaged wood

Miguel A. Navarro

Artist & EducatorLos Angeles, California

Selected Work

Couch to Geisha: the life-size geisha doll, front and back views

Couch to
Geisha

A couch is dismantled and rebuilt into a life-size geisha doll.

The work transforms a repeated act of destruction from Miguel’s childhood into an attempt to understand a behavior that was never fully explained.

Text projection from Couch to Geisha: I think back to the intricate geisha doll
Couch to Geisha installation: debris from the dismantled couch on the floor, a light box and a projected line of text

Constructing Home

Two related works explore how a recognizable form can emerge from fragments of found wood.

PileoToPenta: salvaged wood pieces laid on a concrete floor in the shape of a house

PileoToPenta

Through repeated division and recombination, a pile of wood gradually takes the shape of a house.

MesoToPenta: suspended wood fragments seen from the floor, aligned into the frame of a house

MesoToPenta

Suspended wood fragments appear scattered until a change in viewpoint brings them into alignment.

The Problem with…

What happens when the words are taken away?

Using archival footage of public figures from the 1970s, language is removed, leaving only interstitial moments, sounds, and micro‑gestures.

Figures once defined by authority, performance, or conviction are transformed through this absence, re‑seen through hesitation, vulnerability, and uncertainty.

The work constructs portraits where meaning emerges between words.

Still from The Problem with Admitting Things: Frost and Nixon side by side Plays with sound

Admission
Order

A map created through subtraction.

In an abandoned house, Miguel removes plaster from a wall in the order each state was admitted into the United States. As the map takes shape, the structure beneath the wall emerges, connecting ideas of domestic space, national identity and belonging.

Admission Order: the shape of the United States cut out of the plaster of a wall in an abandoned house
Miguel and a student looking at paintings in a gallery

About Miguel

Miguel A. Navarro is a Los Angeles–based artist and educator working across sculpture, installation, video and performance. His creative practice explores narrative, identity and transformation, often through materials and images that are dismantled, reassembled or reinterpreted to reveal new meanings.

His experience as a practicing artist shapes his approach to teaching. He brings conceptual thinking and hands-on making together, encouraging students to explore their ideas, challenge assumptions and develop work that reflects their own perspective.

Miguel holds an MFA from the Maryland Institute College of Art. His work has been exhibited nationally and internationally, and his artistic experience includes residencies at Joshua Tree National Park and the Helene Wurlitzer Foundation in Taos.

Teaching & Mentorship

Structure and openness

Miguel believes teaching requires a balance between structure and openness. Students need room to explore their ideas, along with clear frameworks for understanding what makes their work effective.

His teaching combines studio practice with conceptual and cultural ideas. Through experimentation, critique and revision, he helps students develop technical skills, articulate their thinking and become more intentional in their creative decisions.

Miguel’s approach is shaped by his own experiences navigating higher education. He understands that students arrive with different levels of preparation, confidence and access to resources. He works to create environments where students feel supported and challenged, with opportunities to develop at their own pace.

A Senior Lecturer at Otis College of Art and Design, Miguel brings more than two decades of teaching experience across secondary and higher education. He is a National Board Certified teacher and co-founder of ArTES, a visual and performing arts high school created to expand access to arts education.

Miguel leading a critique in front of projected student work A student presenting her projected work during critique
Student critique. All work shown is by students.

Portfolio Development

He also works individually with emerging artists and designers, helping them develop their ideas, creative voice and portfolios.

Explore portfolio development →

Get in touch

For inquiries about Miguel’s artistic practice, teaching or individual mentorship.

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